• Vorverkauf: 20 €
  • Presale: 20 €
  • Abendkasse: 25 €
  • Box office: 25 €
  • Ermäßigt: 22 € *
  • Reduced: 22 € *
  • Einlass: 19:30
  • Doors: 19:30
  • Beginn: 20:30
  • Showtime: 20:30

Roar, the solo project of Magic the Gathering enthusiast, amateur (but impressive) chef, and mastermind Owen Evans, channels that feeling of nostalgia we all experience but can never fully place. New Album »Knives for Aries« (May 2024).

Support: Grimson by Swedish/American songwriter Aiden Berglund, who made his way to Berlin. Newest single »Measure of a Mom« (June 2024).

Presented by ByteFM

Roar

»Am I trapped inside a movie?« »Did I hear this song years ago in a dream?« listeners of Roar may ask. No, be still your delusions. It’s just Mr. Evans, who has a knack for writing emotive melodies and skillful arrangements evocative of the times of yore.

In 2006, the year The Devil Wears Prada was released, Mr. Evans began working on some of the glorious, heart-wrenching songs that would ultimately form his epic 6-song debut EP: I Can’t Handle Change (2010). He has since released a second EP, I’m Not Here to Make Friends (2012), and three full-length records: Impossible Animals (2016), Pathetique Aesthetique (2018), and Diamond Destroyer of Death (2021). What will this harmonic wizard bring us next? We must wait patiently as Mr. Evans carefully examines his many extraordinary ideas, stitching them together like an immaculate gown sure to win the approval of Miranda Priestly herself.

When he is brave enough to play his songs for the public, this bashful songwriter is accompanied by his trusty band of skilled and loyal friends. Inspired by 60s girl groups and early applications of the synthesizer, Roar songs sound like a place where old Hollywood celebrities, grief-stricken robots, and the occasional cheerful elf come together to tell stories about love, pain, and hope. Mr. Evans croons over chromatic basslines, impassioned string arrangements, and wistful synth arpeggios, bringing the listener on a dynamic, surreal journey punctuated by sentimental motifs and playful surprises. In search of an immersive sonic world that speaks to your big feels? Look no further - this humble musician has crafted the soundscape to your deepest emotional moments.

Grimson

After beginning in New York’s underground scene, Swedish/American songwriter Aiden Berglund made his way to Berlin in the midst of the pandemic and began recording as Grimson, shifting his style into playful art rock accompanied by sweet harmonies and baroque pop arrangements. Grimson found an audience on Tiktok for his dark humor and radio ready singles, which has amassed over a million streams and views on his songs, animations, and viral videos. As he describes, the songs on his recently released debut album “Climbing Up The Chimney” were written during his teenage years between 2013 and 2017 and “recorded in a bedroom in Brooklyn, in a dorm room in the Hudson Valley, in a basement on Staten Island, in a bedroom in Berlin.” He has also incorporated a strong multimedia element into the world of his songs, pulling from his work as an animator, which includes the video for Weyes Blood’s “It’s Not Just Me, It’s Everybody” and visuals for Jose Gonzales, Sharon Van Etten, and more.

* Ermäßigter Eintritt an der Abendkasse für Schüler*innen, Student*innen, Sozialhilfeempfänger*innen.

* Reduced admission at the box office for students and welfare recipients.