In the world of Smote, going further out means going inward. Less a metaphysical journey into inner space, more a physical journey into the ground itself, converging with its roots and vibrations. What’s more, a journey right to the heart of its principal architect’s daily experience. Smote’s fifth release for Rocket Recordings, and their deepest, most fully realised to date, Songs From The Free House is testimony to this. Forged from repetition and mantric intensity and possessed of formidable psychic fortitude, this album prove that the only retro-chic Smote indulge in is liable to go back several centuries.
K.F.G. ist die neue StonerElectro Sensation aus Hamburg, jedes Konzert ein Unikat, wer es verpasst oder nicht versteht, ist selber schuld!
Smote
Daniel Foggin has spent the majority of his adult life working as a landscape gardener, frequently pursuing his trade in conditions of either baking heat or freezing cold and, as he puts it “more often covered in mud than not”. Yet the primal, meditative aspects of this work, the act of communing with nature, its histories and its depths have fuelled his art on a profound level. Continuing Smote’s exploratory mission into heaviness in all its forms. Songs From The Free House sees Foggin exploring a variety of new avenues. Therefore, whilst listeners might align the pantheistic forays into drone-based abandon with previous travellers like Earth and Om, the influence of folk songs and legends, as well as electronic music make their presence felt.
Kommunikationsfreie Gewalt
„Du hast Fragen? Die Antwort ist Kommunikationsfreie Gewalt.“ Psychologie von Morgen
„If Suicide and Black Sabbath had a grandchild, it would be called K.F.G.“ The Roling Stone
„Hypnotic, Heavy, Hazardous“ MNE
„Stumpf ist Trumpf!“ Bild am Sontag
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